- A gray cat slinks past a wooden house. There’s something a little intimidating attempting to describe.
The tools I carry into the mountains — chosen for weight, weather resistance, and the way I shoot landscapes: slowly, on foot, and often far from the road.
Last updated: October 2026
This Privacy Policy explains how I, [Photographer Name], trading as [Business Name] ("I", "me", "we", "this website"), collect, use, store, and protect your personal data when you visit my landscape photography website and use its services. This policy is written with European visitors in mind and complies with the EU General Data Protection Regulation (GDPR) and the UK GDPR.
Canon EOS R7
My main landscape body. The 32.5 MP APS-C sensor captures fine detail in rock textures, foliage, and skies, while the in-body image stabilization lets me shoot handheld at dawn when the tripod stays packed. The weather-sealed body has survived more than one unexpected shower on the trail.
Nikon D3400
The camera that re-started my photography passion. Simple, light, and pratical – it still comes along on scounting for new locations and compositions and to shoot black and white, and to shoot handheld.
Canon RF 50mm f/1.8
For intimate landscape scenes, forest details, and low-light work when the light fades faster than I’d like or for street photography when the opportunity presents itself.
Canon RF-S 18–150mm
My go-to lens for exploring. Versatile enough to capture expansive river valleys, isolate distant ridgelines, or bring far-off coastal sea stacks closer. A lightweight, all-purpose companion that lets me adapt to the landscape without changing lenses.
SIGMA 10-18mm f/2.8 DC DN Contemporary Canon RF-S
The ultra-wide perspective is perfect for capturing dramatic foregrounds, from rugged coastlines and mountain streams to vast, dramatic skies.
Nikon AF-P 18–55mm
I use this lens mainly for scouting new locations and looking for potential landscape compositions. It’s also my go-to lens when I want to shoot in black and white. Paired with the Nikon D3400, it makes for a lightweight, comfortable, and well-balanced setup that’s perfect for shooting handheld, without the need for a tripod. It’s simple, practical, and lets me focus on finding compositions and working with the light rather than carrying extra gear.
SMALLRIG R7 Cage
Adds protection, better grip on awkward terrain, and mounting points for accessories.
K&F Concept Carbon Fiber Tripod
Light enough to carry all day, steady enough for long exposures at sunrise. Carbon fiber makes the difference on long hikes.
7Artisans Magnetic Nano Filter Kit
Filter UV, ND, CPL polarizer, GND, and mist gradient filters in one magnetic system. Screw-on speed matters when the light is changing minute by minute.
RALENO Camera Backpack
I use this backpack because it offers plenty of space for all my camera gear, with the added bonus of an expandable compartment where I can pack clothes and other essentials. This makes it a great option for photography trips and travelling by plane, as I can carry my equipment and personal belongings in one bag. It’s also fully waterproof, which gives me peace of mind when shooting outdoors, whatever the weather. For me, it’s a practical, versatile backpack that covers pretty much everything I need for a photography trip..
TRENDoux Winter Thermal Gloves
I use it because they keep my hands warm while still allowing me to use the touchscreen on both my Canon R7 and Nikon D3400. This is especially useful during the winter months, particularly when shooting in the north of Portugal, where the cold can make outdoor photography less comfortable. They let me operate my gear naturally, without getting in the way of my shooting process or interrupting the flow of capturing an image.
Trekking Poles
Although trekking poles aren’t exactly photography gear, they’re an essential part of my kit when heading out on more demanding hikes. They give me extra stability and confidence on steep, slippery slopes and uneven terrain, making it safer to reach those harder-to-access spots where I can find the more challenging and rewarding compositions.
Luminar
I use Luminar because it makes my editing workflow simpler and more enjoyable. It gives me the tools I need to bring out the mood, light, and atmosphere I’m looking for in my photos without spending hours editing. For me, it’s not about making an image look perfect, but about getting closer to the vision I had when I took the shot, while keeping things as natural as possible.
ON1 Photo RAW
I use ON1 Photo RAW because it gives me everything I need to edit my photos without making the process unnecessarily complicated. I like having the essential tools in one place, with plenty of control over colours, contrast, and detail while keeping my images looking natural. It fits the way I like to work and gives me the freedom to develop my own style without getting in the way of the creative process.
Some links on this page are affiliate links. If you purchase through them, I may earn a small commission at no extra cost to you. I only recommend gear I personally own, use in the field, and trust. Your support helps keep this site running — thank you.
“The best camera is the one that gets you out of bed at 4 a.m. and up the mountain before sunrise. Everything on this page exists for that one moment when the light arrives.”
Impact-Site-Verification: 22b88eb0-e11d-46a2-9471-9168c6c15610
